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Cultured Pearls are produced by putting impurities inside oysters. The oyster then secretes layers of Nacre to involve the impurity, thus producing a pearl. This mass production system creates perfectly round pearls. Although patented by Japanese researchers this method to produced oysters was actually developed by the English marine biologist, William Saville-Kent, while living in Tasmania at the end of the XIX century. Nevertheless, Saville-Kent, a fellow of the Linnean Society of London and an important researcher in fisheries and corals at the time was not the most notable member of his family. William had 13 siblings (3 were actually half-siblings) - 2 of these became quite famous, one for been murdered and the other for been the murder.

William was the brother of the infamous Constance Kent, the confessed murder of Francis Kent, their 3 year old brother. Francis was found dead with several stabs and a slashed neck. Constance at the time a 16 year old, confessed the crime. The nature of the crime caused mass hysteria among public at the time and great interest in journalists. Later there was much speculation that her confession was false. But Constance never denied it and she lived 100 years (Constance passed away in 1944).
She was sentenced to life in prison, but was released when she was 41 after spending 20 years in jail. She was included in the list of Jack the Ripper suspects. Constance then changed her name to Ruth Kaye and went to Tasmania to live with her brother William. She lived happily there for the rest of her life, working as a nurse ( It is unknown if she murdered any patients in her free time!).

The crime known as "Road Hill House Murder" is the subject of Kate Summerscale´s book "The suspicions of Mr. Whicher", winner of this year's Samuel Johnson Prize for non-fiction announced yesterday. The case inspired other good books. Among them No Name by Wilkie Collins where the secret behind Constance confession is revealed (but will it be true? or was the father the murder?), the 1861 The Great Crime of 1860 by Joseph Stapleton and others.



At the time accused persons could not talk in court. Constance Kent was convicted based on a written confession. But Constance's confession was not written by her, instead it was written by Rev. Wagner. Rev. Wagner was the responsible clergyman in charge of "St. Mary´s Home for female penitents", a place were unmarried mothers and prostitutes were lock up at the time. Constance family sent her there after the murder. Rev. Wagner claimed to have obtained the confession after a series of interviews with her (whatever "interviews" mean we do not know). In court he denied to give any further details based on the seal of sacramental confession. Because of that questions were raised both at the Houses of Parliament and the Lords and a long battle about whether in a criminal proceeding a clergyman "was or not privileged so as to decline to answer a question on the ground that his answer would reveal something that he had known in confession". This was followed by attacks to nuns by citizens believing Constance was not guilty.

The least interesting thing in all this contorted plot is to find the truth. It is valuable for what it is- a mystery story with severe social implications. It has been narrated again and again and different versions and accounts can be read even online and today. It was the speculative subject of books and movies. No wonder the current owners of the murder house have people knocking at the door every day.



Constance shared with William the taste for playing with pebbles. While he feed it to Oysters, she glue them to panels. She is one of the authors of the astonishing mosaics in St. Peter's church, Portland; the Chapel of the Bishop of Chichester; the Sanctuary of East Grinstead Church and St Paul's Church in London.


O mono acima é uma maravilhosa reliquia industrial londrina. Trata-se da central eléctrica a carvão Battersea localizada na margem norte do Tamisa, em Pimlico. A zona é conhecida pela bela arquitectura, quase toda da autoria de Thomas Cubbit. A familia Grosvenor foi outrora dona de toda a zona de Pimlico. O edificio é parecido com a nossa singela central Tejo e apresenta belissimos detalhes art-deco. Tem apenas uma pequena diferença em relação à nossa central - a escala. Battersea é o maior edificio de tijolo em toda a Europa. A zona da central eléctrica ocupa sensivelmente uma área do tamanho de 11 estádios de futebol.

Ao ver a foto, alguns devem lembrar-se imediatamente da capa de um Lp dos Pink Floyd de 77, "Animals" onde surge uma famosa foto de Battersea com um porco flutuante
. Na verdade Battersea aparece em inúmeras outras capas de discos quase todas dos anos 70. O impacto cultural desta central eléctrica não se fica por aqui. Serviu de cenário para dezenas de filmes e séries. Entre os mais notáveis conta-se "Sabotagem" de Hitchcock e uma adaptação de "1984" de Orwell feita por Michael Radford em que a central era o ministério do amor. O ano passado serviu para filmar um Batman. É também mencionada em variadissímos livros. Tem portanto lugar reservado no panteão da memória colectiva londrina.


A imponente sala de controlo


Começada a construir no final dos anos 20 para fazer parte da rede nacional electrica inglesa, só foi terminada em 1939. A zona de Battersea naquela época era maioritariamente industrial e habitada por gente pobre, mas mesmo assim houve forte oposição à sua construção pelo impacto visual de um edificio com aquela escala e pela poluição que ia causar. Fez-se uma escolha ponderada do arquitecto para minimizar os protestos. O famoso Sir Giles Gilbert Scott, autor do design da cabine telefónica vermelha e de outra central londrina (a que alberga agora a Tate Modern) foi o escolhido. Durante a II grande guerra a central não sofreu danos de monta. Numa segunda fase nos anos 50 foi-lhe acrescentado um segundo edificio simétrico (ala B).

Em 1964 houve um incêndio de proporções consideráveis em Battersea tendo causado Blackouts em várias zonas de Londres. Nos anos 70 a central tornou-se completamente obsoleta, tendo sido fechada parcialmente em 1975 e totalmente em 1983.

Desde essa data tem estado no centro de inúmeras polémicas. Tornou-se numa ruína degradada e foi vendida várias vezes. Apenas foi classificada como património em 1980, o que não impediu a galopante destruição dos belissimos interiores e o desaparecimento de parte do equipamento. O local não é aparentemente vigiado e encontra-se aberto. Vários projectos de rehabilitação foram feitos para o local, mas nenhum passou do papel até à data.
Em 2006 foi adquirida por 400 milhões de libras pelos actuais proprietários que tem um projecto para o local mas ao mesmo tempo fazem uma consulta pública para oscultar os cidadãos. O arquitecto responsável é Rafael Viñoly, um uruguaio radicado nos EUA e o projecto final deverá ser apresentado lá para o final de 2009. Mas entretanto as chaminés encontram-se em risco de ruir e a empresa proprietária do espaço propõe-se demoli-las. O mais certo é a central ser vendida outra vez...


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Curzio Malaparte (1898-1957) was an German/Italian journalist and writer. He was founder and editor of a few important Italian newspapers from the 20's on. An active member of the fascist party in the early days of his life, latter criticized Mussolini (consequently been expelled from the party and exiled in the island of Lipari for 6 years) and became a Communist. The Mussolini regime arrested Malaparte several times after his exile, during the 30' and 40's.
Malaparte fought in both great wars, earning several decorations in WWI and traveling extensively through Europe while working for the diplomatic service during WWII. It was during this travel time that he writes/publishes an enormous amount of articles (some were suppressed) and two of his most notable and controversial books:
  • The skin- This clever written story about the degradation and devastation of Italian society during 1943-1945 almost puts the north-American troops as the invaders instead of the German ones. Americans are ridiculised for their out placed innocent comments and presumption of moral superiority. The skin was put in the Index Librorum Prohibitorum by the catholic church.
  • Kapput (published only in 1949)- A war novel written from the point of view of the losers, the Germans, which is quite unusual. Based in his experience at the eastern Europe fronts. Cruelty and refinement walk hand-in-hand, shows humanity at its worst.

Both books are vivid images of the military environment Malaparte lived in. Both are quite disturbing and fascinating at the same time.

Although he was apparently quite busy, he did manage to find some time to be the lover of Edoardo Agnelli's widow. Several sources suggest he was the father of Umberto Agnelli (former president of Juventus and FIAT, former Italian senator).
After the war Malaparte settled in Paris were he wrote very successful intellectual plays ("Das Kapital" based on Marx, "Du cótê de chez Proust" based on Proust). During the 50's his interests shifted to cinema. He won a special prize from the Berlin film festival in 51 for "Forbidden Christ", a film he directed and wrote the script for.

In 1936, Malaparte refined taste lead him to invite the architect Adalberto Libera to design a house for him in the island of Capri. Known as Villa Malaparte, the house can be described as a red masonry matchbox riding a very high rocky cliff. One of the sides of the house features a large stair leading to the rooftop patio. Villa Malaparte is quite isolated. It can be reached by boat if the sea is calm or by foot from Capri (1h30 walk). The house was extensively featured in Godard´s film "le Mépris" ( based in Alberto Moravia novel of the same name).


Mashup: Italian writers - architecture - war novels - cinema - politic dissidents - adultery - controversy